The leading information resource for the entertainment industry. Find industry contacts & talent representation. Manage your photos, credits, & more.Angry Men Movie Review & Film Summary (1. In form, . In purpose, it's a crash course in those passages of the Constitution that promise defendants a fair trial and the presumption of innocence. Superheroes, swimsuits, and special operatives await you in our Summer Movie Guide. Plan your season and take note of the hotly anticipated indie, foreign, and. It has a kind of stark simplicity: Apart from a brief setup and a briefer epilogue, the entire film takes place within a small New York City jury room, on . His tone of voice indicates the verdict is a foregone conclusion. We hear neither prosecutor nor defense attorney, and learn of the evidence only second- hand, as the jurors debate it. Most courtroom movies feel it necessary to end with a clear- cut verdict. It is about whether the jury has a reasonable doubt about his guilt. Advertisement. The principle of reasonable doubt, the belief that a defendant is innocent until proven guilty, is one of the most enlightened elements of our Constitution, although many Americans have had difficulty in accepting it. Episode information for Sex and the City on HBO, featuring videos, images, music, schedule information, and episode guides. Lydia Dziubanek Lost 80 Pounds: In form, "12 Angry Men" is a courtroom drama. In purpose, it's a crash course in those passages of the Constitution that promise defendants a fair trial and the. Cobb) as the jury first gathers in their claustrophobic little room. When the first ballot is taken, 1. Juror No. 8 (Henry Fonda). This is a film where tension comes from personality conflict, dialogue and body language, not action; where the defendant has been glimpsed only in a single brief shot; where logic, emotion and prejudice struggle to control the field. It is a masterpiece of stylized realism- -the style coming in the way the photography and editing comment on the bare bones of the content. Released in 1. 95. Technicolor and lush production values were common, . It got ecstatic reviews and a spread in Life magazine, but was a disappointment at the box office. Over the years it has found a constituency, however, and in a 2. Internet Movie Database poll it was listed 2. The story is based on a television play by Reginald Rose, later made into a movie by Sidney Lumet, with Rose and Henry Fonda acting as co- producers and putting up their own money to finance it. It was Lumet's first feature, although he was much experienced in TV drama, and the cinematography was by the veteran Boris Kaufman, whose credits (. Marshall, Jack Klugman, Jack Warden, Ed Begley and Robert Webber. They smoke, they sweat, they swear, they sprawl, they stalk, they get angry. In a length of only 9. Evidence is debated so completely that we feel we know as much as the jury does, especially about the old man who says he heard the murder and saw the defendant fleeing, and the lady across the street who says she saw it happen through the windows of a moving L train. We see the murder weapon, a switch- blade knife, and hear the jurors debate the angle of the knife wound. We watch as Fonda imitates the shuffling step of the old man, a stroke victim, to see if he could have gotten to the door in time to see the murderer fleeing. In its ingenuity, in the way it balances one piece of evidence against another that seems contradictory, . It is about sending a young man to die. The movie is timely in view of recent revelations that many Death Row convictions are based on contaminated evidence. Supposing we're wrong? He could be Italian, Turkish, Indian, Jewish, Arabic, Mexican. His eyes are ringed with dark circles, and he looks exhausted and frightened. In the jury room, some jurors make veiled references to . Ed Begley) begins a racist rant (. It's born in them. They don't know what the truth is. And let me tell you, they don't need any real big reason to kill someone, either.. Even those who think the defendant is guilty can't sit and listen to Begley's prejudice. The scene is one of the most powerful in the movie. The vote, which begins as 1. Although the movie is clearly in favor of the Fonda position, not all of those voting . One of the key characters is Juror No. Marshall), a stockbroker wearing rimless glasses, who depends on pure logic and tries to avoid emotion altogether. Another Juror No. Jack Warden), who has tickets to a baseball game, grows impatient and changes his vote just to hurry things along. George Voskovec), an immigrant who speaks with an accent, criticizes him: . In planning the movie, he says, a . In that way, toward the end the ceiling began to appear. Not only were the walls closing in, the ceiling was as well. The sense of increasing claustrophobia did a lot to raise the tension of the last part of the movie. By gradually lowering his camera, Lumet illustrates another principle of composition: A higher camera tends to dominate, a lower camera tends to be dominated. As the film begins we look down on the characters, and the angle suggests they can be comprehended and mastered. By the end, they loom over us, and we feel overwhelmed by the force of their passion. Lumet uses closeups rarely, but effectively: One man in particular- -Juror No. Joseph Sweeney, the oldest man on the jury)- -is often seen in full- frame, because he has a way of cutting to the crucial point and stating the obvious after it has eluded the others. For Sidney Lumet, born in 1. Consider these titles from among his 4. There are also comedies and a musical (. If Lumet is not among the most famous of American directors, that is only because he ranges so widely he cannot be categorized. Few filmmakers have been so consistently respectful of the audience's intelligence.
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